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June 8, 2013

Poetry in the Park

19th Century Technology in a 21st Century urban setting

William Curtis is a poet I recently had the pleasure to meet at Pritchard Park located in the middle of downtown Asheville. A wanderer and “street poet” of sorts, Mr. Curtis takes on impromptu assignments writing poems on the spot for people he comes across in his travels.

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William Curtis is a poet I recently had the pleasure to meet at Pritchard Park located in the middle of downtown Asheville. A wanderer and “street poet” of sorts, Mr. Curtis takes on impromptu assignments writing poems on the spot for people he comes across in his travels.

What initially caught my eye was the obviously antiquated manual typewriter that he was using to conjure up his inspired musings. Not one to pass up an opportunity to capture such moments, I managed to take a few shots just before he noticed me. Explaining to me what he does, I asked if it would be okay to take some photos while he worked on a poem for a woman that was seated next to him. He assured me that it was fine. We parted ways with my promise to send William some of the photos at his behest.

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This is a very brief series of the images I captured of William as he toiled to create his art on the fly. I personally felt that the “antiqued” treatment I added lent an appropriate “prosody” to the images. The series ends with William presenting the finished poem to the lady on the bench.

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All images © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

May 21, 2013

Burlesque and Dr. Sketchy: Geekout 2013

A collection of photos from Geekout 2013 in Asheville, NC.

I was recently asked to participate as one of the official photographers for this years reoccurring Geekout held this year at the Sherill Center at UNC Asheville, NC, from May 3 to (yes, that;s right), May the 4th–be with you!

For the less informed, MULTIVERSE is Western NC’s premiere experience for geek culture, including gaming, comics, film, television, costuming, convention-life, and collecting–A year-round convention, one event at a time!

Now, although much of the event was family friendly (Darth Vadar having his photo taken with 5 year old kids being nevertheless disconcerting), let us just say that Geeks have a bit of a wild streak, too.

Multiverse Geekout 2013  included the Asheville branch of Dr. Sketchy’s Anti-Art School– a radical mix of traditional life drawing and saucy cabaret. Adults only, needless to say! Prizes for best drawings. May 4, 2013 at the Sherrill Center, UNCA.
[flickr]http://www.flickr.com/photos/joe_longobardi/8725663669/[/flickr]
[flickr]http://www.flickr.com/photos/joe_longobardi/8725662739/[/flickr]

Geektastic: A Burlesque Revue was the evening pre-party event for Multiverse Geekout on May 3 at the Boiler Room located in the basement of the Grove House in Asheville, NC. Music from The Extraordinary Contraptions kicked off the evening festivities!

Henry the Horse did not dance a waltz, but to quote Sgt. Pepper’s Lonely Hearts Club Band, “a pleasant time is guaranteed for all”!

[flickr]http://www.flickr.com/photos/joe_longobardi/8724979032/[/flickr]
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[flickr]http://www.flickr.com/photos/joe_longobardi/8723865271/[/flickr]

For more photos, click on a thumbnail from the photoset below.
[flickr-gallery mode="photoset" photoset="72157633481846772"]

All photos are Copyright 2013 Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

March 23, 2013

From White Street to Street Shots: Bunny Clyde Photo Session

I recently had the opportunity—the privilege, if you will—to photograph legendary jazz saxophonist Thomas ”Bunny” Clyde on St. Patrick’s Day. A friend of mine had recommended me to “Bunny” to take some promotional photos for some upcoming studio work,and he needed them on the quick. To fill in those not familiar with the artist, Bunny Clyde’s resumé reads like a who’s who of modern musical history having played for Gladys Knight and the Pips, and sharing the same stage with Kool and the Gang and Jimi Hendrix along with a list of others that you can read up on at your leisure at his website.

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We met for the first time in front of the BB&T Building on Broadway in Asheville. At my urging, I persuaded Bunny to allow me to take some location shots downtown, emphasizing his connection he’s had with the city over the decades as well as his globetrotting sessions in cities on several continents. It was a last minute decision to go out that day as the weather was in the 70’s and not a drop of rain to be found. I put on my street photographer’s cap and encouraged “Bunny” to just be natural and play some arpeggiated riffs while I took some candid shots. This being Asheville, playing on the sidewalks is hardly an anomaly, but the combination of camera flash and his slick attire definitely drew some attention from pedestrians.

[flickr]http://www.flickr.com/photos/joe_longobardi/8584227196[/flickr]

I chose several landmarks that I felt would lend an element of history to the shots and chronicling his connection to the downtown music scene. The art deco architecture that graces the sidewalks of the city renders smokey imagery of the golden age of Jazz and the thriving nightclub scene that was a primary source for personal entertainment before the appearance of television and iPods!

[flickr]http://www.flickr.com/photos/joe_longobardi/8583127269[/flickr]
[flickr]http://www.flickr.com/photos/joe_longobardi/8583128069[/flickr]

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Having tested our limits for walking up hills and into back alleys for location shots, I rather pushed to try our hands at some quick “studio” shots at this house. As the day was coming to an end, I thought it best to at least try some test shoots to see what we may like to try again for a more formal session. Having arrived at his house, the one obstacle we came across that entire afternoon was space limitations inside his home. His back porch on the other hand was far more spacious allowing me to set up umbrellas, backdrops and use my longer lenses (even if I had to step outside through the screen door to get a shot or five). I concluded that as the sun began to set, that I can easily set up my lights and not be too concerned about any ambient daylight influencing my white balance from the controlled environment.

[flickr]http://www.flickr.com/photos/joe_longobardi/8583130315[/flickr]

After a quick set up, we took a number of shots. Since we were limited on time, I decided to work around any issues such as glare on his eyeglasses while trying to maintain separation between his black hat and the black backdrop. I was striving for that Film Noir look (and inspired by those iconic black and white photos of jazz legends) and chose a silver umbrella to emphasize contrast since I knew that I could work with the results in the little time we had. After 30 minutes, we had to tear down as he had family coming over. Surprisingly, I found that some of the shots with the silver umbrella reflecting off his glasses added a nice dimension—a sparkle—to the final images.

[flickr]http://www.flickr.com/photos/joe_longobardi/8583998784[/flickr]
[flickr]http://www.flickr.com/photos/joe_longobardi/8583995188[/flickr]

Overall, a really good session. You can purchase Bunny’s CD White Street at CD Baby. When you get the chance, run, don’t walk, to catch Bunny Clyde when he’s in Asheville, or any city he’s gigging.

For more photos, visit the Bunny Clyde set on Flickr.

November 7, 2012

Living Art in Asheville: Street photography by Joe Longobardi

Filed under: Street Photography — thejoey4 @ 8:50 pm

I will be exhibiting works at the Holly Library at A-B Tech. Opening reception will be November 27th at 11:00 am.

The original dates were from Nov. 19 to Dec. 15, but the show has been extended and will be on display until February 28, 2013.

Check out the write up in The Laurel of Asheville

August 29, 2012

Tangerine Tango: An Evening of Fashion & Dance

Filed under: Street Photography — thejoey4 @ 9:58 pm

Images from the Tangerine Tango: An Evening of Fashion & Dance presented by The Asheville Area Arts Council & The Altamont Theater on Church Street, August 23, 2012. The show highlighted new fashions offered by aspiring local designers. This particular event serves as a kickoff for the Asheville Area Arts Council’s Tangerine Ball to be held (free to the public), on September 15, 2012.

Featured here are some candid backstage shots during the proceedings.

[flickr]http://www.flickr.com/photos/joe_longobardi/7859736678/[/flickr]

[flickr]http://www.flickr.com/photos/joe_longobardi/7859738914/[/flickr]

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[flickr]http://www.flickr.com/photos/joe_longobardi/7859746102/[/flickr]

All images © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

May 25, 2012

An Afternoon Interview with Clare Hanrahan

Filed under: Street Photography — thejoey4 @ 2:47 pm

Late September 2011 I was fortunate to catch up with Asheville’s own activist and author Clare Hanrahan to conduct an interview prior to the demonstrations that would become Occupy Asheville. This excerpt is from a longer article I published last year covering the ten year anniversary of the U.S. lead occupation of Afghanistan (After the War: The Grassroots Peace Movement in Asheville). Recently Hanrahan was found guilty of impeding traffic by the Buncombe District Court from warrants served back in November 2011 following the November 2 Occupy Asheville demonstration. Rather than facing 12 months probation, she declined and offered to serve active sentence.

The judge reduced the sentence to one day time served.

I felt that it was rather timely to republish this excerpt.

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On a cool Fall day in late September, I managed to catch up with a woman and local fixture in Asheville activism by the name Clare Hanrahan. After several weeks of working around her busy schedule, I received a call from Clare asking if we can meet just in front of the court house located at Roger McGuire Green. She asked how she can recognize me. I said I’ll be a tall thin guy with shaggy red hair. She said I would recognize her as a spirited war resister with streaks of pink in her hair.

A youthful 62, Hanrahan was seated on a park bench awaiting the arrival of several dozen people that in several days, on October 1st, would evolve into what would be known as Occupy Asheville, a movement in solidarity with the Occupy Wallstreet demonstration that began on September 17th of 2011 in New York. I asked regarding her role as an activist in this area: as a participant in No-Nukes rallies and as a founder of the Asheville Chapter of Women In Black.

“I’m an eclectic anti-authoritarian”, she began. “I participate to speak up against injustice and to teach others to hone tools of non-violence, though I believe we are eons away from that.” Pointing towards a magnolia tree some twenty feet from us, she explained that she had chained herself to that tree to prevent its removal along with the adjacent Pack Tavern to be replaced with a condominium by “a greedy developer.” In 1901, philanthropist George Willis Pack donated the land in perpetuity to the people of Asheville.

“There were no restrooms of course, so the firemen next door allowed me to use theirs when I needed to take a break.” Images of Hanrahan tethered to the tree made the rounds in newspapers and the Internet. As successful as she was in this case, she was not able to save any of the targeted pear trees that were removed from downtown Asheville. After several days of being chained to one of the trees, she finally relented adding “I was told that they would not be cut down until after they have bloomed. That’s all I asked for, I told them.”

“I persist because it’s the right thing to do—not because it’s always effective”, Hanrahan added. I asked her about her involvement with the WIB and if she felt that her years of participation had any effect—if she and others were intent on continuing and if there will be future generations of activists to pick up the gauntlet.

“The WIB held that space for free speech so that it would not be forfeited.” At the peak of the war, the city of Asheville was persist ant in curbing demonstrations against the wars in Afghanistan and Iraq. Though it was unpopular at the time to speak out against the bush wars, Hanrahan asserted that “You cannot sanitize free speech where it has no impact.”

“But you go where you are touched most—you can’t tend to all causes,” she clarified. “The cost of war is for generations. We create homeless vets, the unemployed… I’ve met many people from different walks of life while standing with that tree.”

Coming around to the Wallstreet protests and the anger being demonstrated by a hurting middle class, Hanrahan confessed that “You caught me in a pondering time of my life: how we are all complicit [in] wars, the economy, the earth…I want to give up every few weeks.”

“Younger people seem less patient in dealing with the long term commitment to civil disobedience– they are more inspired by current urgency. Standing on lines seems futile. The seem to have a case of oppositional defiance disorder. This meeting here today [for Occupy Asheville] was started at the Mellow Mushroom [Pizzeria]– it was very spontaneous.”

“I’ll persist till the end,” she continued. “At 62, I may have another 30 years. And we need to build relationships—trust each other and find peaceful methods of resistance. We Americans are a subdued people, but were are not defeated yet.”

Commenting on the current riot control of protesters on Wallstreet in New York, Hanrahan remarked “ A peaceful or violent demonstration will dictate the appropriate response from the police. [We] must practice non-violent resistance.” Hanrahan remarked that most of our elected officials are “meaningless choices. But that doesn’t mean you don’t go out to vote. It’s a way of making your voice heard. And there are other ways to vote—speaking out on streets!”

“I can’t strap myself to every tree”, she added “That would be ridiculous.”

Capping off where we started discussing the effect she and others had on raising awareness of social issues, Hanrahan stated “Ten years back, When I stood at the Vance Monument, no one else was there. But then another would come—then another.”

Hanrahan seemingly off topic pointed towards some newly designated parking spaces just adjacent to the park. “We treat cars with more respect than people”, she declared.

“Wealth for me is a breeze; sitting in a park, watching children play. Sitting on a bench, talking to you. I chose to live simply—not to have lots of money.” A fellow named Noah approached Hanrahan with whom she was acquainted. I thanked her for her time. Noah then accompanied Hanrahan to the Magnolia Tree as she explained the history of the tree and the adjacent building. I managed to take a few quick photographs of Hanrahan with tree. The images were unique in the fact that she was unrestrained and the tree was in no danger at this time of being cut down.

In time, a few people began to gather at the stage of Roger McGuire Green—then another.

All images and copy © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

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May 21, 2012

Free

Filed under: Street Photography — thejoey4 @ 4:08 pm

[flickr]http://www.flickr.com/photos/joe_longobardi/7244319022/[/flickr]

“Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again.” Henri Cartier-Bresson

When do you decide to click the shutter? Why did you choose that moment? After all the well planned timing, metering, mathematical decisions, and sheer anticipation, I find that Cartier-Bresson hit it right on the head: “Of course it’s all luck.”

All images © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

February 28, 2011

“Come, gather ’round people…”

Filed under: Street Photography — thejoey4 @ 6:17 pm

Rally for Wisconsin Workers: Pack Square Park, Asheville, NC.

February 26th, 2011

The Asheville PARC (People Advocating Real Conservancy) held one of many national assemblages in support of a national movement of  solidarity to salvage what remains of the vanishing middle class. If ever there was a time for all fringes of political parties to come together, surely this  new breed of robber-barons’  blatant and hostile  takeover of what remains of an American Dream qualifies as a moment to heed a universal struggle to gnaw at the leg-trappings of  corporate greed.

[flickr]http://www.flickr.com/photos/joe_longobardi/5486680175/[/flickr]

[flickr]http://www.flickr.com/photos/joe_longobardi/5486681707/[/flickr]

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[flickr]http://www.flickr.com/photos/joe_longobardi/5486683337/[/flickr]

All images © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

February 23, 2011

Silver Girl

Filed under: Street Photography — thejoey4 @ 10:57 pm

[flickr]http://www.flickr.com/photos/joe_longobardi/5472401017/[/flickr]

What sadly may be the last of the Silver Drummer girl photos for quite some time. She is a photographer’s blessing in face paint!

All images © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

December 12, 2010

Cowgirls gather before the start of the parade

Filed under: Street Photography — thejoey4 @ 7:34 pm

[flickr]http://www.flickr.com/photos/joe_longobardi/5202919863/[/flickr]

Asheville, North Carolina’s 62nd Annual Holiday Parade, The Art and Heart of Giving, November 20, 2010.

All images © Joe Longobardi. All Rights Reserved. joelongobardiphotography.com/

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